Eku Sunguleni (In the Beginning)

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I have my mother's eyes.
Brown.
Abandoned cornfields awaiting rain.
The soil back home.
But that don't-fall-asleep-here kind of home because it is shaped like a rocky boat that catches fire even when water is abundant.
I have my father's mouth.
Full.
A gap between my front teeth.
I used to be afraid to smile because I was self-conscious about that gap.
Now I smile because I want you to take me home to my father when I am lost.

I have my own face.
Oval.
The people in my family have round faces.
For a long time, long before I started catching glimpses of my parents in my reflection, I wondered if I belonged with them.
In primary school, a boy said I had a face as long as a horse's and at lunchtime, I begged God to make it round.
Upon returning from a funeral, my maternal grandmother would dab ash from the coal-stove on my forehead.
I didn't know what it meant. I never asked.
Now I think she was saying "you are still here" because when she left this earth nobody dotted my forehead with anything and I have never felt so empty in my life.
How dare you say I don't look Tsonga or Venda when all I remember from my childhood are the faces I stole features from?
"Eku sunguleni Xikwembu xi tumbuluxile…" (ln the beginning, God created…)

This face. And my face maps my heritage.

Nkateko Masinga

Nkateko Masinga is an award-winning South African poet and 2019 Fellow of the Ebedi International Writers Residency. She was nominated for a Pushcart Prize in 2018 and her work has received support from Pro Helvetia Johannesburg and the Swiss Arts Council. Nkateko is an interviewer at Africa In Dialogue, an online interview magazine that archives creative and critical insights with Africa’s leading storytellers.

https://nkatekomasinga.com/
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Between the Devil and a Million Swords